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The Plague of Our Time: Contemporary Meaning in Camus’s <i>The Plague</i>

In 1947, two years after the end of World War II, Albert Camus’s second novel, La Peste (The Plague), was published in France. The story describes the devastation wrought by a fictional plague on the Algerian city of Oran. Its insights into humanity’s will to survive and the choices people make in the face of fear and death resonated with post-war readers....

Towards Full Flowering: Looking Back at a Decade of the Hong Kong Jockey Club Contemporary Dance Series

Mature works of art go through a long process of nurturing: absorbing and accumulating nutrients over time, gradually developing before coming into full bloom. The first edition of the Hong Kong Jockey Club Contemporary Dance Series (CDS) was presented at the 40th Hong Kong Arts Festival in 2012, and this year marks its tenth edition....

An adaptation of Albert Camus’s existential classic for pandemic times

Ivan Mercier takes a look at one of two adaptations of The Plague being presented at this year’s HKAF—a ground-breaking online version performed simultaneously by a cast in six countries around the world....

Reconstructing <i>Noah’s Ark</i>

In 2010, just before they emigrated to the United States, Cantonese opera stars Man Chin-sui and Leung Siu-sum bid farewell to their Hong Kong fans with a production of Noah’s Ark. As both playwright and performer, Man drew from the biblical tale of the patriarch Noah and his construction of an ark to survive the great flood....

Mediating Arts and Life: Matthew Bourne and <i>The Red Shoes</i>

While the coronavirus pandemic has caused so many cancellations of live performance, it has also given film a far more prominent role in connecting dance with audiences, and indeed in reaching new viewers around the world. ...